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October 2014

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  • FringeArts140 N. Columbus Blvd (at Race Street)
    Philadelphia, PA Map
    Price: $20 General Admission Buy Tickets
    Friday, October 17, 2014 - 8:00pm

    “He not only has an impressively deep knowledge of traditional song forms, but takes liberties with the country's past in order to document his own personal present.” - Pitchfork

  • Tuesday, October 21, 2014 - 8:00pm
    Boot & Saddle1131 S. Broad Street
    Philadelphia, PA Map
    Price: $17 General Admission Buy Tickets

    ANW and R5 welcomes composer and producer Ben Frost.  Born in 1980 in Melbourne, Australia, Frost relocated to Iceland in 2005, where with Valgeir Sigurðsson and Nico Muhly he formed the Bedroom Community record label and collective.

  • Sunday, November 2, 2014 - 8:00pm

    Dans les Arbres

    Ars Norge

    Philadelphia Art Alliance251 S. 18th Street
    Philadelphia, PA Map
    Price: $15 General Admission Buy Tickets

    Ars Nova Workshop welcomes the return of Dans les arbres and the Philadelphia debut of guitarist Kim Myhr in this special Norwegian double-bill.

    +Kim Myhr

  • Thursday, November 13, 2014 - 8:00pm

    Abraxas

    John Zorn’s Psychomagia

    Shivtei Yeshuron-Ezras Israel2015 S. 4th Street
    Philadelphia , PA Map
    Price: $20 General Admission Buy Tickets

    ANW and Temple University's Feinstein Center for American Jewish History welcomes the return of Abraxas to the historic “Little Shul,” Philadelphia’s last active pre-World War I rowhouse synagogue.

  • Thursday, November 20, 2014 - 8:00pm
    The Rotunda4014 Walnut Street
    Philadelphia , PA Map
    Price: Free Admission Buy Tickets

    Ars Nova Workshop welcomes the tenor saxophone quartet Battle Trance. 

  • Tuesday, December 2, 2014 - 8:00pm

    Ballrogg

    Ars Norge

    The Rotunda4014 Walnut Street
    Philadelphia, PA Map
    Price: Free Admission Buy Tickets

    Ars Nova Workshop welcomes Ballrogg, a Norwegian trio that defines itself by inviting the influence of styles as varied as Americana and neo-classical.  “This is panoramic music,” writes Jazzwise, “restrained and expansive; maybe it doesn’t matter if the landscape it overlooks is coated in sand or in ice.”